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Independent Directing Project (DRAM90017)

Graduate courseworkPoints: 50On Campus (Southbank)

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Overview

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Semester 2
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The Independent Project is a major practice and research subject, drawing on and applying the knowledge and skills of directing gained throughout the course. Through discussions in advance of the subject, each student will identify a performance project they will direct. This could be a solo performance they devise and perform themselves, the direction of a single-authored text, or anything in-between. The performance outcome can take place on campus with undergraduate actors, for a season of graduate work at La Mama, for a company that engages you to direct for them, or for an independent production..The practice – direction of a piece of performance – forms a major part of a critical research project with a written dissertation and the two parts will be supervised by a member of Theatre staff.

It is possible that the entire project could be written (rather than practice-led).

It is possible that the production might take place outside of Melbourne, provided that appropriate supervision and assessment can be ensured.

The student is asked to set up a research question to investigate and analyse through creative practice and through the identification and application of appropriate critical and theoretical frameworks. Supervision will take place throughout the project. The assessment structure is devised to allow students to create their research proposal, pursue that research in the relevant practical context and then present their findings in the following assessments on campus at the end of the project: individual documentation (journal and/or multimedia), a class presentation and critical analysis in a final essay.

Intended learning outcomes

At the end of the course the student should be able to:



  • utilise research and practice skills in an industry setting;
  • create a performance work for a public audience;
  • understand the way venues, festivals, events, etc. are run and how to function as an artist within them;
  • reflect on and critically analyse own artistic practice;
  • demonstrate imaginative and creative communication and presentation skills in the delivery of a research proposal and research presentations;
  • identify a research methodology appropriate to their discipline and project;
  • demonstrate an advanced understanding of the critical issues in the field of research methodologies in researching performance;

Generic skills

Upon completion of this subject students should be able to:

  • Create and organise aesthetic material
  • Use a range of research tools and methodologies
  • Solve problems
  • Interpret and analyse
  • Develop the capacity for critical thinking
  • Work independently
  • Communicate effectively
  • Organise and mange manage time
  • understand the relationship with and responsibility to the cultural environment;
  • work with respect for intellectual integrity, intellectual property and for the ethics of research and scholarship.

Last updated: 3 November 2022

Eligibility and requirements

Prerequisites

None

Corequisites

None

Non-allowed subjects

None

Recommended background knowledge

Directing theatre- practical and theoretical.

Inherent requirements (core participation requirements)

The University of Melbourne is committed to providing students with reasonable adjustments to assessment and participation under the Disability Standards for Education (2005), and the Assessment and Results Policy (MPF1326). Students are expected to meet the core participation requirements for their course. These can be viewed under Entry and Participation Requirements for the course outlines in the Handbook.

Further details on how to seek academic adjustments can be found on the Student Equity and Disability Support website: http://services.unimelb.edu.au/student-equity/home

Last updated: 3 November 2022

Assessment

Additional details

  • Class presentation 20 minutes (equivalent to 2000 words). Week 11-12 (10%)
  • Thesis, comprised of written dissertation and practice (including performance outcome if applicable) equivalent to 15,000 words. Written work/final thesis: assessment period.Performance assessed as it happens throughout semester. (75%)
  • Thesis proposal (1000 words), annotated bibliography and literature/performance review (2000 words). Week 3 (15%)

Last updated: 3 November 2022

Dates & times

  • Semester 2
    Principal coordinatorChris Kohn
    Mode of deliveryOn Campus (Southbank)
    Contact hours60 hours
    Total time commitment680 hours
    Teaching period29 July 2019 to 27 October 2019
    Last self-enrol date 9 August 2019
    Census date31 August 2019
    Last date to withdraw without fail27 September 2019
    Assessment period ends22 November 2019

    Semester 2 contact information

    christopher.kohn@unimelb.edu.au

Time commitment details

680 hours

Last updated: 3 November 2022

Further information

  • Texts

    Prescribed texts

    This will depend on individual research project.

    Recommended texts and other resources

    suggested reading may include:

    Nelson, R. (2013) Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave MacMillan.

    Barrett, E and Bolt, B (2007) Practice as Research: Approaches to Creative Arts Enquiry, London: I.B. Tauris.

    Riley, S. R. and Hunter, L. (2009) Mapping landscapes for performance as research: scholarly acts and creative cartographies, Basingstoke: Palgrave Macmillan.

    Freeman, J. (2010) Blood, sweat & theory, London: Libri Publications.

  • Related Handbook entries

    This subject contributes to the following:

    TypeName
    CourseMaster of Directing for Performance

Last updated: 3 November 2022