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Contextual Studies 3 (MUSI20177)
Undergraduate level 2Points: 12.5On Campus (Southbank)
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About this subject
- Overview
- Eligibility and requirements
- Assessment
- Dates and times
- Further information
- Timetable(opens in new window)
Contact information
Semester 1
Please refer to the LMS for up-to-date subject information, including assessment and participation requirements, for subjects being offered in 2020.
Overview
Availability | Semester 1 |
---|---|
Fees | Look up fees |
This subject embraces a theoretical and practical study of the harmonic, melodic, rhythmic and formal structures and processes of Contemporary Music. Components include Languages of Music, Harmonic Devices, Rhythmic Devices and Piano Class for Contemporary Music Performance: Improvisation students and audio/studio techniques for Interactive Composition students.
Intended learning outcomes
Upon completing this subject students should be able to:
- understand through examination of selected current repertoire how western tonal music is constructed;
- apply their knowledge of the internal workings of selected, relevant repertoire to their performances and/or compositions;
- connect the understanding of the internal workings of music to the aural comprehension of it;
- transcribe, identify and perform selected melodies, rhythms and harmonic structures;
- identify and perform selected rhythmic patterns;
- perform selected polyrhythms;
- reproduce selected material of the student's instrument (CMP:I);
- understand keyboard technique (CMP:I);
- play and develop pieces playing chords and melodic lines (CMP:I);
- play various chords, scales and selected pieces (CMP:I);
- accompany various standards (CMP:I);
- understand comping techniques and voice leading (CMP:I);
- understanding of the use of music technology in music composition (IC).
Generic skills
On completing this subject students will:
- exhibit extensive theoretical and practical knowledge of their discipline including relevant professional knowledge, skills, discipline and ethics as they relate to the practising musician and composer;
- have in-depth knowledge of their specialist discipline;
- have reached a high level of achievement in creative artistic practice, problem solving and communication;
- be critical and creative thinkers, with an aptitude for continued self-directed learning;
- have the capacity to participate fully in collaborative learning and to confront unfamiliar problems.
Last updated: 3 November 2022
Eligibility and requirements
Prerequisites
Code | Name | Teaching period | Credit Points |
---|---|---|---|
MUSI10180 | Contextual Studies 1 | Semester 1 (On Campus - Southbank) |
12.5 |
MUSI10193 | Contextual Studies 2 | Semester 2 (On Campus - Southbank) |
12.5 |
Corequisites
None
Non-allowed subjects
None
Inherent requirements (core participation requirements)
The University of Melbourne is committed to providing students with reasonable adjustments to assessment and participation under the Disability Standards for Education (2005), and the Assessment and Results Policy (MPF1326). Students are expected to meet the core participation requirements for their course. These can be viewed under Entry and Participation Requirements for the course outlines in the Handbook.
Further details on how to seek academic adjustments can be found on the Student Equity and Disability Support website: http://services.unimelb.edu.au/student-equity/home
Last updated: 3 November 2022
Assessment
Due to the impact of COVID-19, assessment may differ from that published in the Handbook. Students are reminded to check the subject assessment requirements published in the subject outline on the LMS
Description | Timing | Percentage |
---|---|---|
LANGUAGES OF MUSIC: FORMAL - one written examination and completion of set tasks on subject material presented in lectures. Hurdle requirement: Students must obtain a pass in the Languages of Music assessment to be eligible for a pass in this subject. | Throughout the semester | 50% |
HARMONIC & RHYTHMIC DEVICES: FORMAL - viva voce exam of material studied during the semester. | 40% | |
J:I PIANO TUTORIAL: FORMAL - performance on piano of various assigned tasks developed during the semester. | 10% | |
IC MUSIC TECHNOLOGY: FORMAL - exam or project demonstrating skill acquisition of the various audio and electronic sound manipulation techniques explored during the semester. | Throughout the semester | 10% |
Hurdle requirement: Students must attend 80% of all scheduled classes and attempt all elements of assessment to be eligible for a pass in this subject. | Throughout the teaching period | N/A |
Hurdle requirement: Continuous - attendance, preparation and overall commitment as demonstrated by tasks and activities embracing all areas studied. | Throughout the teaching period | N/A |
Additional details
Late submission: Unless an extension has been granted, for essays/assignments submitted after the due date, the mark a student is awarded for their work will be reduced by 10% for each day the work is late. Using electronic submission means work may be submitted on any day.
Unless an extension has been granted, assignments submitted later than 5 working days (or 1 week if due on a weekend) after the due date will not be marked, and will receive no marks.
Last updated: 3 November 2022
Dates & times
- Semester 1
Coordinator Andrea Meagher Mode of delivery On Campus (Southbank) Contact hours 48hrs (24hrs LOM/18hrs Devices/6hrs Piano or Music Technology tute) Total time commitment 96 hours Teaching period 2 March 2020 to 7 June 2020 Last self-enrol date 13 March 2020 Census date 30 April 2020 Last date to withdraw without fail 5 June 2020 Assessment period ends 3 July 2020 Semester 1 contact information
Time commitment details
96 Hours
Last updated: 3 November 2022
Further information
- Texts
Prescribed texts
prescribed texts for this subject will be asigned when necessary
- Related Handbook entries
This subject contributes to the following:
Type Name Course Bachelor of Fine Arts (Contemporary Music) Informal specialisation Interactive Composition Informal specialisation Jazz & Improvisation
Last updated: 3 November 2022