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Screen Theory, Style & Spectators (SCRN40002)
HonoursPoints: 12.5On Campus (Parkville)
About this subject
Contact information
Semester 1
Dr Cristobal Escobar: cristobal.escobar@unimelb.edu.au
Overview
| Availability | Semester 1 - On Campus |
|---|---|
| Fees | Look up fees |
This subject will examine the history, uses and value of contemporary film theory from the post-1968 period to the present. Students will learn to critically evaluate a diverse range of screen theories and methodologies, investigating their application and significance. Students will also learn to apply these theories through close analysis of selected film and screen texts. The theories examined will be selected from the following: semiotics, queer and feminist film theory, film philosophy, psychoanalysis, phenomenology, haptic visuality, audience reception studies, and film materialist approaches. Students will also be trained in disciplinary skills, such as close textual analysis, research, and the presentation of papers.
Intended learning outcomes
On completion of this subject, students should be able to:
- Explain key film theoretical models of the post-60s
- Apply various theories to an analysis of the cinema
- Critically evaluate the significance of film theory for film interpretation
- Debate theoretical concepts informing screen theory, style and spectatorship
- Discuss aesthetic issues such as the gaze, perspectivism, embodiment and haptic visuality.
Generic skills
On completion of this subject, students should be able to:
- Possess advanced skills of critical thinking and analysis
- Develop research and writing skills
- Possess an ability to communicate knowledge intelligibly, economically and effectively
- Have an understanding of social, ethical and cultural context.
Last updated: 6 November 2025