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The Print Room (AHIS90004)
Graduate courseworkPoints: 12.5On Campus (Parkville)
Overview
| Availability(Quotas apply) | Semester 1 - On Campus |
|---|---|
| Fees | Look up fees |
This subject provides an introduction to Japanese art and cultural history through a survey of the Japanese woodblock print from its emergence in the mid-seventeenth century to the mid-twentieth century. Visits to University’s Baillieu Library, the Ian Potter Museum, and the NGV and first-hand viewing will form a key part of the subject. Technical developments, major genres, and master designers are explored within the context of Japanese and East Asian pictorial traditions, the publishing industry, and urban culture. Topics for consideration include aesthetic discourse, consumerism, materiality of prints, censorship, erotica, the construction of class and social identities in relation to printed media.
Intended learning outcomes
On completion of this subject, students should be able to:
- Analyse the social, cultural, and historical contexts in which Japanese woodblock prints were produced, circulated, and consumed.
- Evaluate the technical, stylistic, and thematic innovations of major practitioners across different genres of Japanese prints.
- Assess the roles of publishing, consumer culture, and censorship in shaping the production and reception of Japanese prints.
- Construct coherent written arguments that integrate primary visual evidence with scholarly sources to address debates in Japanese art and cultural history.
Generic skills
Students who successfully complete this subject should have:
- The ability to conceptualise theoretical problems, form judgements and arguments and communicate critically, creatively and theoretically
- The ability to communicate knowledge intelligibly and economically
- The ability to manage and organise workloads
- Acquire curatorial experience and qualifications; engage in group problem solving and working collaboratively.
Last updated: 28 November 2025