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Entertainment Law (LAWS70273)
Graduate coursework level 7Points: 12.5On Campus (Parkville)
About this subject
Contact information
June
Teaching staff:
Daniel Rosen (Subject Coordinator)
For current student enquiries, contact the Law School Academic Support Office
Overview
| Availability(Quotas apply) | June - On Campus |
|---|---|
| Fees | Look up fees |
This subject examines legal aspects of entertainment, an industry that has become largely internationalised. Technology now allows even local performers and distributors to reach audiences around the world, raising important issues and questions about which law applies in which jurisdictions. While some of these legal issues can be addressed in advance through agreements, doing so requires lawyers to have a firm grasp of the legal options available across multiple legal systems.
Consider the performer Rosé, born in New Zealand and raised in Australia. She is a member of the globally active K-Pop group Blackpink based in South Korea. As a group member and a solo artist, she operates across a range of legal environments and activities. Her legal team, and the lawyers for those with whom she works, must navigate complex international choice-of-law questions.
This subject pays particular attention to the United States, given its significant influence on global entertainment practices, while also examining questions of law in Australia and other jurisdictions. Case studies and examples are drawn from the fields of music, book publishing, visual and performing arts, and the various digital and physical media through which artistic content is distributed.
A central theme will be the relationship between artistry and industry – how creative expression is supported, shaped, and constrained by commercial imperatives. Entertainment lawyers typically represent either the artists or the business interests behind their work. The two sides’ short-term goals may differ, but they share the ultimate goal of bringing creative works to audiences while generating enough revenue to sustain the process.
Indicative list of principal topics:
- Distinction between the artistic entity (example: a band) and the legal entity (example: a partnership)
- Stakeholders inside and outside the industry, including fans
- Intellectual property and misappropriations: copyright and neighboring rights, moral rights, trademark rights, publicity rights, passing off, trade secret protection, and unfair competition
- Contracting in the entertainment industry such as licensing, joint ventures, publishing, concert touring, and character merchandising
- Technological developments, especially those involving digitalization and online platforms
- Jurisdictional questions and choice-of-law issues
- Privacy and publicity: what’s the difference? Do all countries treat them the same?
Intended learning outcomes
A student who has successfully completed this subject should be able to:
- Analyse and interpret the international legal frameworks governing the entertainment industry, with a focus on cross-jurisdictional issues and choice-of-law considerations.
- Evaluate the impact of intellectual property regimes, contracts, and regulatory practices on the production and distribution of artistic content.
- Formulate legally sound strategies for advising clients on entertainment-related legal matters, including licensing, merchandising, and privacy issues.
- Draft and critique legal documents relevant to entertainment practice, demonstrating precision in legal reasoning and communication.
- Debate contemporary challenges and legal reform in global entertainment law, drawing on comparative perspectives and technological developments.
- Collaborate effectively within teams to research, develop, and present complex legal positions to both specialist and non-specialist audiences.
Last updated: 20 November 2025