Body and Voice 3A (DRAM30014)
Undergraduate level 3Points: 12.5On Campus (Southbank)
Overview
Availability | Semester 1 |
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Fees | Look up fees |
This subject builds on and consolidates the student’s body and voice training and facilitates pathways for autonomous practice. It focuses on the physical and vocal integration of skill, imagination and artistry required in performance, which may include audio, visual and digital media. It is designed to refine and strengthen physical, vocal and language skills. Students will learn to apply techniques and approaches that best serve the demands of a range of performance modes. Autonomous warm-up practices to meet specific technical and imaginative demands of performance will be developed.
Intended learning outcomes
On completion of this unit, students should be able to demonstrate the ability to:
- Develop and extend level of physical, vocal and language skills achieved in BV2A & 2B
- Extend the embodied practice of voice, language, gesture and physical action in performance
- Apply appropriate vocality and physicality to the demands of space and style in performance
- Utilise vocal and physical skills safely in rehearsal and performance
- Identify specific physical and vocal practices for performance fitness
- Refine sight reading skills for audition purposes
- Consolidate a physical dramaturgy for audition purposes
- Identify and develop an autonomous physical and vocal practice for performance
Generic skills
• Flexible physical and vocal ability for performance
• Mastery of vocal technique for performance
• Awareness in action
• Engagement of rhythmic dynamics in voice and body in performance
• The capacity for imaginative, transformative and interpretive engagement
• The capacity for mental, vocal, physical and emotional rigour in application to tasks
• Ability to work autonomously
• The capacity to work with feedback given in class and tutorial
• The capacity to utilise an internal evaluative mechanism
• Increased ensemble skills
• Ability to evaluate, diagnose and remain in active dialogue with training and art practice
• Ability to synthesise and integrate various performance training methodologies
Last updated: 3 November 2022