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Music as Noise: Making Sound Art (MUSI40094)
HonoursPoints: 12.5On Campus (Parkville)
About this subject
- Overview
- Eligibility and requirements
- Assessment
- Dates and times
- Further information
- Timetable(opens in new window)
Contact information
Semester 1
Overview
Availability | Semester 1 |
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The notion of noise as potential music has been an enduring preoccupation in the twentieth and twenty-first centuries. Various contexts for noise-based music include performance works, recordings, installation artworks/sound sculpture, radiophonic works and online. This subject looks at noise art’s development from the Futurists through to Cage’s and Oliveros’s experimentalism, to contemporary postmodern sound art and into the current post-postmodern era. Students will learn how to create a short sound art work in a style of their choosing, and to contextualise their creative approach within the genre’s history.
Intended learning outcomes
On completion of this subject students should have further developed the ability to:
- Understand and critically evaluate to a sophisticated level the history and aesthetics of the phenomenon of noise-as-music
- Demonstrate basic skills in sound art creation
- Articulate and situate their creative endeavours in this area
- Demonstrate the ability to evaluate and criticise the different ways in which people write about noise as music
Generic skills
On completion of this subject students should possess:
- A capacity to make critical, informed and sophisticated responses to new musical ideas, methodologies and theoretical frameworks
- The ability to engage with new ideas and respond to them in a thoughtful, critical and personal way, in both written and creative platforms
- The ability to communicate effectively
Last updated: 3 November 2022
Eligibility and requirements
Prerequisites
None
Corequisites
None
Non-allowed subjects
None
Inherent requirements (core participation requirements)
The University of Melbourne is committed to providing students with reasonable adjustments to assessment and participation under the Disability Standards for Education (2005), and the Assessment and Results Policy (MPF1326). Students are expected to meet the core participation requirements for their course. These can be viewed under Entry and Participation Requirements for the course outlines in the Handbook.
Further details on how to seek academic adjustments can be found on the Student Equity and Disability Support website: http://services.unimelb.edu.au/student-equity/home
Last updated: 3 November 2022
Assessment
Additional details
- A short creative recording project (of 5 mins) - End of Semester (30%)
- A (2,500-word) piece of written work reflecting on the student’s creative project - End of Semester (40%)
- 3 short written projects (300 words each) - Throughout the Semester: Weeks 4, 8, 11 (3 x 10% each: Total 30%)
Last updated: 3 November 2022
Dates & times
- Semester 1
Principal coordinator Linda Kouvaras Mode of delivery On Campus (Parkville) Contact hours 24 hours, comprising one 1-hour lecture and one 1-hour tutorial per week. Total time commitment 170 hours Teaching period 27 February 2017 to 28 May 2017 Last self-enrol date 10 March 2017 Census date 31 March 2017 Last date to withdraw without fail 5 May 2017 Assessment period ends 23 June 2017 Semester 1 contact information
Time commitment details
170 Hours
Last updated: 3 November 2022
Further information
- Texts
Prescribed texts
- Loading the Silence: Australian Sound Art in the Post-Digital Age (Farnham, Surrey ; Burlington, VT : Ashgate, 2013)
- Other readings, available through Readings Online via LMS
- Related Handbook entries
This subject contributes to the following:
Type Name Course Graduate Diploma in Music Informal specialisation Musicology/Ethnomusicology Specialisation (BH-MUS) Informal specialisation Performance Specialisation (BH-MUS) Major Tailored Program (BH-MUS) Informal specialisation Composition Specialisation (BH-MUS)
Last updated: 3 November 2022