Ensemble B (MUSI90094)
Graduate courseworkPoints: 12.5On Campus (Parkville)
About this subject
Contact information
Semester 1
Currently enrolled students:
- General information: Graduate Research Hub
Future students:
- Further information: MCM website
- Email: vcamcm-enquiries@unimelb.edu.au
- Email: vcamcm-research@unimelb.edu.au
Semester 2
Currently enrolled students:
- General information: Graduate Research Hub
Future students:
- Further information: MCM website
- Email: vcamcm-enquiries@unimelb.edu.au
- Email: vcamcm-research@unimelb.edu.au
Overview
Availability | Semester 1 Semester 2 |
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Fees | Look up fees |
Students who play orchestral instruments are expected to participate in MCM ensembles and you should talk to the head of your instrument area to determine which MCM ensemble you will participate in. You may also be required to participate in other activities in your instrument area, check with your head of instrument.
Instrumental/Vocal students:
Participation in ensembles and performances as approved by the Melbourne Conservatorium of Music and designed in consultation with subject co-ordinator/s.
Conducting students:
Participation in ensembles and performances, as a conductor, as approved by the Melbourne Conservatorium of Music and designed in consultation with the subject co-ordinator.
Intended learning outcomes
Instrumental/Vocal students:
On completion of this subject students should:
- Have developed the ability to perform sympathetically with other members of the group;
- Be aware of the importance of individual preparation;
- Become sensitive to the requirements of working in groups, large and small, particularly with regard to regular and punctual attendance;
- Have an understanding of the range of repertory available for the ensemble group of which the student is a member.
Conducting students:
On completion of this subject, students should have developed:
- The ability to conduct sympathetically and lead an ensemble;
- Skills in the preparation of an ensemble for performance;
- Skills in working with ensembles, particularly in regard to discipline, attendance, organization of rehearsal schedules, concerts, personnel and equipment.
Last updated: 3 November 2022