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  3. Choreographic Process into Performance 4

Choreographic Process into Performance 4 (DNCE20019)

Undergraduate level 2Points: 12.5On Campus (Southbank)

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Overview

Year of offer2019
Subject levelUndergraduate Level 2
Subject codeDNCE20019
Campus
Southbank
Availability
Semester 2
FeesSubject EFTSL, Level, Discipline & Census Date

Choreographic Process into Performance 4 is comprised of two areas; Choreography and Performance. Choreography will extend students’ abilities to creatively use choreographic techniques and processes in sophisticated and inventive ways. Central foci will be the inclusion and use of music, the development of complex group structures in time and space and the consideration of the performance space. Building on the theoretical and practical frameworks established in Choreographic Process into Performance 3 choreography for groups continues as an important outcome. Methods of doing this as a sole choreographer are investigated and developed including leadership and directing skills. Students will reflect on their own skills development and critically analyse their own and others’ creative and choreographic work verbally and in writing.

In Performance students will participate in the third of the five performance projects central to the Bachelor of Fine Arts (Dance) course. Students will participate in making an original work by a guest choreographer or learn and remount an extant dance from a choreographer’s repertory. Students will consolidate their skills as participatory and collaborative dance artists and performers in the creative development processes and/ or the learning and rehearsal stages of a dance work. Interpretive, expressive and articulate physical skills will further develop as students continue to investigate what embodied performance means. Task-based activities to derive new movement material, improvisations, research and a range of ways of exploring creative ideas may be expected in a guest choreographer’s process. This area of the subject will culminate in a Performance season that also includes dances performed by Choreographic Process into Performance 2 students.

Intended learning outcomes

This subject will enable students to:-

  • Apply the craft of choreography, through the proficient use of a wide range of choreographic approaches, to the making of artistic statements in dance
  • Devise and structure choreographic material that expressively uses complex groups structures
  • Devise in response to, and locate choreography in, both traditional and non traditional performance spaces
  • Use music and sound-scapes imaginatively and effectively to enhance the making of artistic statements in dance
  • Organise projects and bring thematic ideas to fruition in dance works completed in time frames
  • Choreograph on others as the sole choreographer by leading and directing process and final outcome
  • Challenge self to further experience using imaginative and innovative approaches to the creation and performance of dances
  • Exercise aesthetic judgement and critical appraisal of own work and the work of others verbally and in writing
  • Participate in the process of remounting repertory authentically and use the appropriate skills dancers demonstrate in this context
  • Be active and participate constructively in the choreographic process of a professional choreographer
  • Demonstrate consolidated and appropriate rehearsal skills, technical and performance skills and an understanding of embodied performance
  • Perform the choreographic work of a professional choreographer

Generic skills

On completion of this subject students should have acquired the following skills:-

 

  • The capacity for working collaboratively and as a member of a team
  • The ability to interpret, analyse and evaluate information
  • The capacity to think critically
  • The ability to recognise and work within aesthetic domains
  • The ability to create and organise aesthetic material
  • The ability to exercise imaginative and transformative processes
  • The capacity to solve problems
  • The ability to apply theory to practice in the creation of artistic work
  • The facility to perform
  • The capacity for kinaesthetic awareness
  • The capacity to communicate in physical, oral and written forms.
  • The capacity for leadership

Last updated: 30 July 2019