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Opera Performance Practicum 2 (MUSI90169)
Graduate courseworkPoints: 18.75Off Campus
About this subject
- Overview
- Eligibility and requirements
- Assessment
- Dates and times
- Further information
- Timetable(opens in new window)
Contact information
Overview
Availability | July - Off Campus |
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Fees | Look up fees |
This practicum is the second of a suite of four subjects that focus on different productions, in different languages, which take place in a range of contexts. While the assessments are necessarily very similar across all 4 practicums, each will vary according to the demands of the practical work undertaken and the student’s place in the sequence. This practicum represents the second stage of development.
Students undertaking this subject will work on a practical project, through rehearsals and culminating in a performance, in order to develop, consolidate and apply the individual skills required for an opera production.
Through involvement with an opera production through an in-house University production, vocal students will strengthen and consolidate a breadth of skills and knowledge regarding stylistic vocal delivery, stagecraft and movement training, role development and characterisation, and ensemble work. Students will receive the technical and artistic training to cope with all interpretive demands of the production.
Through involvement with an opera production through an in-house University production, repetiteur students will strengthen and consolidate their skills in orchestral reduction and vocal score realisation, as well as their knowledge and understandings of the rehearsal process, as applicable to all aspects of the repetiteurs' craft. Students will receive the technical and artistic training to cope with all interpretive demands of the production.
Intended learning outcomes
On completion of the subject students will:
- demonstrate confident and competent understanding of appropriate stylistic vocal performance;
- for the singer, demonstrate confident and competent stagecraft skills, and for the repetiteur, understand relevant aspects of vocal score playing related to orchestral reductions;
- apply the appropriate principles of confident and competent practice within an opera production context;
- demonstrate a confident and competent knowledge of the historical and stylistic conventions, correct lyric diction and interpretative framework of the opera constituting the work performed during the study period;
- demonstrate confident and competent written capacity for critical, reflective and evaluative insight into the rehearsal and performance process.
Generic skills
On completion of this subject, students will be able to:
- demonstrate the capacity for critical and independent thought and reflection;
- demonstrate skills in evaluative thinking, and in the application of theoretical / analytical criteria to practical outcomes;
- demonstrate analytical skills in the context of artistic performance;
- plan effectively to meet rehearsal and performance deadlines.
Last updated: 3 November 2022
Eligibility and requirements
Prerequisites
Code | Name | Teaching period | Credit Points |
---|---|---|---|
MUSI90160 | Opera Performance Practicum 1 | February (Off Campus) |
18.75 |
Cannot be taken concurrently.
Corequisites
None
Non-allowed subjects
None
Inherent requirements (core participation requirements)
The University of Melbourne is committed to providing students with reasonable adjustments to assessment and participation under the Disability Standards for Education (2005), and the Assessment and Results Policy (MPF1326). Students are expected to meet the core participation requirements for their course. These can be viewed under Entry and Participation Requirements for the course outlines in the Handbook.
Further details on how to seek academic adjustments can be found on the Student Equity and Disability Support website: http://services.unimelb.edu.au/student-equity/home
Last updated: 3 November 2022
Assessment
Description | Timing | Percentage |
---|---|---|
For singers and repetiteurs, direct translation of role written above part, with IPA. (750 words equivalent) Due: Final music call rehearsal (in third week of music calls)
| During the teaching period | 10% |
Singers, must be able to complete a run-through of role, from memory, at the final music call rehearsal. Repetiteurs must have the opera under technical control when accompanying. (1500 words equivalent) Due: Final music call rehearsal (in third week of music calls)
| During the teaching period | 20% |
Blocking notes to be written into singers'/repetiteurs scores during the fifth week of production rehearsals. | During the teaching period | N/A |
Final studio run-through of opera production in which students are assessed on their synthesis of the elements studied. (1850 words equivalent) Due: Fifth week of production rehearsals
| During the teaching period | 25% |
Final performance. (3000 words equivalent) Due: Performance date TBC (early in semester 2)
| During the teaching period | 40% |
Written reflection on learning stages and outcomes, 400 words. Due: Two weeks after final performance
| End of semester | 5% |
Hurdle requirement: In order to pass this subject students must attempt all assessment items. | Throughout the semester | N/A |
Last updated: 3 November 2022
Dates & times
- July - Off Campus
Principal coordinator Jane Davidson Mode of delivery Off Campus Contact hours 150 hours (Five weeks of rehearsals and production) Total time commitment 255 hours Teaching period 1 July 2019 to 9 August 2019 Last self-enrol date 9 July 2019 Census date 19 July 2019 Last date to withdraw without fail 30 August 2019 Assessment period ends 30 September 2019
Time commitment details
255 hours
Last updated: 3 November 2022
Further information
- Texts
Prescribed texts
Vocal score (for singers) and vocal score plus orchestral score (for repetiteurs) of the repertoire being performed.
- Related Handbook entries
This subject contributes to the following:
Type Name Course Master of Music (Opera Performance)
Last updated: 3 November 2022