Film, Art and Exhibition (SCRN40006)
HonoursPoints: 12.5On Campus (Parkville)
Overview
| Availability | Semester 2 |
|---|---|
| Fees | Look up fees |
This subject explores the connections between the evolution of exhibition practices of still and moving images, focusing on the work of Alfred Hitchcock as a case study. Hitchcock's films have been influenced by artists such as Sickert, Klee, Margritte, de Chirico and Dali and have also exerted a powerful influence on contemporary artists and filmmakers such as Stan Douglas, Douglas Gordon, Cindy Sherman and Chris Marker. Recently, a number of international exhibitions have documented the receptiveness of Hitchcock's films to the literary and visual arts of his time - from Pre-Raphaelite and Symbolist paintings to the writings of Edgar Allen Poe, German expressionism, surrealism and modernism. This subject seeks to establish Hitchcock's place in art history as well as within the film canon and to contextualise the Hitchcockian oeuvre both historically and aesthetically. It also explores the roles of film and art in the history of modernity. It interrogates the practice of exhibition - from silent film, through to developments with 3D and wide screen technologies (Vista Vision), to the remediation of Hitchcock's images in new media and popular culture.
Intended learning outcomes
On successful completion of this subject, students should be able to:
- develop a detailed understanding of visual cultures and the way in which a popular art form such as film can encompass, and inspire, other artistic movements and art forms such as literature, painting, photography and video installations;
- creat an understanding of the development of exhibition for still and moving images and an appreciation of the aesthetic elements of the Hitchcockian oeuvre;
- explore and critically evaluate the part played by the cinema in history of modernity and the former's receptiveness to the visual arts of the time; and
- explore the way in which issues of gender, ethnicity and sexuality have shaped Hitchcock's oeuvre.
Generic skills
At the completion of this subject, students should gain the following generic skills:
- skills in research;
- possess advanced skills of critical thinking and analysis;
- possess an ability to communicate knowledge intelligibly, economically and effectively; and
- have an understanding of social, ethical and cultural context.
Last updated: 3 November 2022
Eligibility and requirements
Prerequisites
None
Corequisites
None
Non-allowed subjects
Students who have previously completed 107-440 Hitchcock, Film and Art are not eligible to enrol in this subject.
Inherent requirements (core participation requirements)
The University of Melbourne is committed to providing students with reasonable adjustments to assessment and participation under the Disability Standards for Education (2005), and the Assessment and Results Policy (MPF1326). Students are expected to meet the core participation requirements for their course. These can be viewed under Entry and Participation Requirements for the course outlines in the Handbook.
Further details on how to seek academic adjustments can be found on the Student Equity and Disability Support website: http://services.unimelb.edu.au/student-equity/home
Last updated: 3 November 2022
Assessment
Additional details
- A class presentation and hardcopy submitted one week after the presentation, totalling 1,500 words (30%), due during semester
- A research essay of 3,500 words (70%), due in the examination period
- Hurdle: Students are required to attend a minimum of 80% (or 10 out of 12) classes in order to qualify to have their written work assessed. Any student who fails to meet this hurdle without valid reason will not be eligible to pass the subject. All required written work must be submitted in order to pass the subject. Essays submitted after the due date without an extension will be penalised 2% per day. Essays submitted after two weeks of the assessment due date without a formally approved application for special consideration or an extension will only be marked on a pass/fail basis if accepted.
Last updated: 3 November 2022
Dates & times
- Semester 2
Principal coordinator Wendy Haslem Mode of delivery On Campus (Parkville) Contact hours Total 48 hours: 2 hour screening and 2 hour seminar per week. Total time commitment 170 hours Teaching period 29 July 2019 to 27 October 2019 Last self-enrol date 9 August 2019 Census date 31 August 2019 Last date to withdraw without fail 27 September 2019 Assessment period ends 22 November 2019 Semester 2 contact information
Time commitment details
170 hours
Last updated: 3 November 2022
Further information
- Texts
- Related Handbook entries
This subject contributes to the following:
Type Name Specialisation (formal) Screen and Cultural Studies Specialisation (formal) Screen and Cultural Studies Specialisation (formal) Screen Studies Specialisation (formal) Screen Studies Informal specialisation PD-ARTS Screen Studies Informal specialisation Screen and Cultural Studies - Links to additional information
- Available through the Community Access Program
About the Community Access Program (CAP)
This subject is available through the Community Access Program (also called Single Subject Studies) which allows you to enrol in single subjects offered by the University of Melbourne, without the commitment required to complete a whole degree.
Please note Single Subject Studies via Community Access Program is not available to student visa holders or applicants
Entry requirements including prerequisites may apply. Please refer to the CAP applications page for further information.
Additional information for this subject
Subject coordinator approval required
- Available to Study Abroad and/or Study Exchange Students
Last updated: 3 November 2022