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Opera Performance Practicum 1 (MUSI90160)
Graduate courseworkPoints: 18.75On Campus (Southbank)
To learn more, visit 2023 Course and subject delivery.
About this subject
- Overview
- Eligibility and requirements
- Assessment
- Dates and times
- Further information
- Timetable(opens in new window)
Contact information
Overview
Availability | Semester 1 (Extended) |
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Fees | Look up fees |
This practicum is the start of a suite of subjects that focus on different productions, in different languages, which take place in a range of contexts. While the assessments are necessarily very similar across all 4 practicums, each will vary according to the demands of the practical work undertaken and the student’s place in the sequence. This practicum representing the foundational experience.
Students undertaking this subject will work on a practical project, through rehearsals and culminating in a performance, in order to develop, consolidate and apply the individual skills required for an opera production.
Through involvement with an opera production through an in-house University production, vocal students will strengthen and consolidate a breadth of skills and knowledge regarding stylistic vocal delivery, stagecraft and movement training, role development and characterisation, and ensemble work. Students will receive the technical and artistic training to cope with all interpretive demands of the production.
Through involvement with an opera production through an in-house University production, repetiteur students will strengthen and consolidate their skills in orchestral reduction and vocal score realisation, as well as their knowledge and understandings of the rehearsal process, as applicable to all aspects of the repetiteurs' craft. Students will receive the technical and artistic training to cope with all interpretive demands of the production.
Intended learning outcomes
On completion of this subject, students should be able to:
- demonstrate foundational understanding of appropriate stylistic vocal performance;
- for the singer, demonstrate foundational stagecraft skills, and for the repetiteur, understand relevant aspects of vocal score playing related to orchestral reductions;
- apply the appropriate foundational principles of practice within an opera production context;
- demonstrate a foundational knowledge of the historical and stylistic conventions, correct lyric diction and interpretative framework of the opera constituting the work performed during the study period;
- demonstrate foundational written capacity for critical, reflective and evaluative insight into the rehearsal and performance process.
Generic skills
- demonstrate the capacity for critical and independent thought and reflection
- demonstrate skills in achieving practical outcomes
- demonstrate analytical skills in the context of artistic performance
- plan effectively to meet rehearsal and performance deadlines
Last updated: 31 January 2024
Eligibility and requirements
Prerequisites
Corequisites
Non-allowed subjects
Recommended background knowledge
Previous experience in opera scenes/production would be useful.
Inherent requirements (core participation requirements)
The University of Melbourne is committed to providing students with reasonable adjustments to assessment and participation under the Disability Standards for Education (2005), and the Assessment and Results Policy (MPF1326). Students are expected to meet the core participation requirements for their course. These can be viewed under Entry and Participation Requirements for the course outlines in the Handbook.
Further details on how to seek academic adjustments can be found on the Student Equity and Disability Support website: http://services.unimelb.edu.au/student-equity/home
Last updated: 31 January 2024
Assessment
Description | Timing | Percentage |
---|---|---|
Direct translation of role written above part, with IPA
| During the teaching period | 10% |
Respond to and apply set tasks during performance rehearsal as directed
| During the teaching period | 20% |
Final studio run-through of opera production
| During the teaching period | 25% |
Final performance
| During the assessment period | 40% |
Written reflection on learning stages and outcomes
| End of the assessment period | 5% |
Hurdle requirement: Students must attend a minimum of 75% of all scheduled classes and submit all elements of assessment to be eligible for a pass in this subject. | Throughout the teaching period | N/A |
Last updated: 31 January 2024
Dates & times
- Semester 1 (Extended)
Coordinator Jane Davidson Mode of delivery On Campus (Southbank) Contact hours 150 hours, comprising daily coaching, music and staging rehearsals Total time commitment 255 hours Teaching period 27 February 2023 to 28 May 2023 Last self-enrol date 10 March 2023 Census date 31 March 2023 Last date to withdraw without fail 5 May 2023 Assessment period ends 30 June 2023
What do these dates mean
Visit this webpage to find out about these key dates, including how they impact on:
- Your tuition fees, academic transcript and statements.
- And for Commonwealth Supported students, your:
- Student Learning Entitlement. This applies to all students enrolled in a Commonwealth Supported Place (CSP).
Subjects withdrawn after the census date (including up to the ‘last day to withdraw without fail’) count toward the Student Learning Entitlement.
Additional delivery details
Audition
Students will be cast into a role for the opera in this subject. It will be expected that students will have studied this musical material prior to commencing the subject.
Last updated: 31 January 2024
Further information
- Texts
Prescribed texts
Vocal score (for singers) and vocal score plus orchestral score (for repetiteurs) of the repertoire being performed.
Recommended texts and other resources
Previous experience in opera scenes/production would be useful.
- Related Handbook entries
This subject contributes to the following:
Type Name Course Master of Music (Opera Performance)
Last updated: 31 January 2024