Interpreting Exhibitions (ACUR90005)
Graduate courseworkPoints: 12.5On Campus (Parkville)
About this subject
Contact information
Semester 2
Overview
| Availability | Semester 2 |
|---|---|
| Fees | Look up fees |
This subject will examine the various strategies employed by museums and galleries to frame the objects and ideas in their care and in order to communicate to the public about them. It will consider how these display strategies have changed over time, but its principal focus will nonetheless be on current exhibition and display settings, from contemporary art spaces to science and natural history museums. What is the best way - if any - to frame a particular exhibition? What sorts of communications messages should curators and exhibition designers seek to convey to museum and gallery visitors? How effectively do galleries and museums communicate their ideas? What role does the public have in engaging with the objects and ideas in museum and gallery display settings? These and other questions will be asked in order to critically interrogate the idea of the exhibition as a meeting point between the institution and the public and as a site of a charged dialogue of meaning between all the players in the exhibition circuit: from the institution, to the objects and/or ideas in the institution, and on to the public who comes to engage with them. On completion of the subject students should be able to apply a range of critical theoretical, art historical and museological approaches to the study of exhibitions and displays in historical and contemporary settings.
Intended learning outcomes
On successful completion of this subject, students should be able to:
- analyse how objects and ideas are communicated to the public in museum and gallery displays.
- critique a range of display strategies in museum and gallery settings.
- deploy a range of critical theory, museological lenses, and art historical approaches to study exhibitions in museums and galleries.
Generic skills
At the completion of this subject, students should gain the following generic skills:
- Be able to conduct independent research using catalogued sources and bibliographical indexes
- Have developed their ability to think creatively and express their ideas clearly in written communication
- Have developed their skills in verbal communication and oral presentation
Last updated: 4 March 2025
Eligibility and requirements
Prerequisites
Admission into one of the following: 038AB Master of Art Curatorship, 175AA Master of Arts and Cultural Management, GDA-ACM Graduate Diploma in Arts and Cultural Management (Advanced), Art History specialisation (formal) in the GCA-ARTS Graduate Certificate in Arts (Advanced), Art History specialisation (formal) in the GDA-ARTS Graduate Diploma in Arts (Advanced), Art History specialisation (formal) in the BH-ARTS Bachelor of Arts (Degree with Honours)
OR
Head of Program approval is required for enrolment by Community Access Program (CAP), Inbound Exchange/Study Abroad or Incoming Cross-institutional students.
Corequisites
None
Non-allowed subjects
None
Inherent requirements (core participation requirements)
The University of Melbourne is committed to providing students with reasonable adjustments to assessment and participation under the Disability Standards for Education (2005), and the Assessment and Results Policy (MPF1326). Students are expected to meet the core participation requirements for their course. These can be viewed under Entry and Participation Requirements for the course outlines in the Handbook.
Further details on how to seek academic adjustments can be found on the Student Equity and Disability Support website: http://services.unimelb.edu.au/student-equity/home
Last updated: 4 March 2025
Assessment
| Description | Timing | Percentage |
|---|---|---|
An exhibition analysis based on in-class presentation
| During the teaching period | 50% |
A research essay
| During the examination period | 45% |
Participation in class | Throughout the semester | 5% |
| Hurdle requirement: 1. Attendance hurdle requirement: This subject has a minimum requirement of 80% attendance at tutorials, seminars, or workshops. | Throughout the teaching period | N/A |
| Hurdle requirement: 2. Late Penalty and Assessment hurdle requirement: Assessment submitted late without an approved extension will be penalised at five per cent (5%) of the possible marks available for the assessment task per day or part thereof. All pieces of assessment must be submitted to pass the subject. Each submitted assessment must be complete, constitute a genuine attempt to address the requirements of the task and will not be accepted after 20 University business days from the original assessment due date without written approval. | Throughout the semester | N/A |
Last updated: 4 March 2025
Dates & times
- Semester 2
Coordinators Georgina Walker and Christopher Marshall Mode of delivery On Campus (Parkville) Contact hours Total 24 hours: 12 x 2 hour seminar per week throughout semester. Total time commitment 170 hours Teaching period 28 July 2025 to 26 October 2025 Last self-enrol date 8 August 2025 Census date 1 September 2025 Last date to withdraw without fail 26 September 2025 Assessment period ends 21 November 2025 Semester 2 contact information
Time commitment details
170 hours
What do these dates mean
Visit this webpage to find out about these key dates, including how they impact on:
- Your tuition fees, academic transcript and statements.
- And for Commonwealth Supported students, your:
- Student Learning Entitlement. This applies to all students enrolled in a Commonwealth Supported Place (CSP).
Subjects withdrawn after the census date (including up to the ‘last day to withdraw without fail’) count toward the Student Learning Entitlement.
Last updated: 4 March 2025
Further information
- Texts
- Related Handbook entries
This subject contributes to the following:
- Links to additional information
Last updated: 4 March 2025