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Dance Writing, Archives & Documentation (DNCE90016)
Graduate courseworkPoints: 25On Campus (Southbank)
Overview
Availability | Semester 2 |
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Fees | Look up fees |
Dance Writing, Archives & Documentation focuses on the way dances are transmitted and how we respond to and engage with the traces that remain. It takes advantage of shifts in the last decade in dance historiography that move beyond the Western canon of modern and postmodern dance and the idea of linear temporal progress, to consider dance history through different registers of representation, global geography and space.
Methods of movement writing; oral traditions of dance; cultural heritage; mapping technologies; multi-modal documentation; video capture; living dance archives; notation, scores and diagrams are some of the tools through which to convene relations between performance re-enactment and contemporary dance practices.
In addressing how we talk about past dance with respect to the present, this subject addresses how dance travels and moves between bodies, materialities, media and histories. It will cover areas of focus including choreographic objects, cultural commons, costumes, cultural heritage and performing the archive in relation to museum and gallery collections.
Intended learning outcomes
On completion of this subject, students should be able to:
- identify philosophical and historical issues and problems as they arise in dance archiving and documentation;
- demonstrate knowledge of shifts in dance historiography and the archival;
- apply a selected historical dance work and experiment with how it might travel in time and through space;
- perform a re-enactment of a dance work through embodying its traces;
- distinguish new directions in addressing dance archiving and documentation;
- apply diverse methods of scoring to processes of dance documentation;
- develop distinct signature practices in creative documentation of dance and choreography.
Last updated: 31 January 2024